Sound design for a stage piece directed by Nazario Díaz, Bilbao, Spain (2024)

Amanecer alto cielo explores the materiality of the word, summoning on the one hand an infinity of scenographic textures within an empty space through diverse textual practices that interlace their materialities, and on the other, different qualities of vision and how these transform bodies and our perception of them. What would a gaze that blurs look like? And a text that erases itself? Where does it take me to touch the word, or to embody it with closed eyes

Amanecer alto cielo also proposes the fading of language as a scenographic element, drawing inspiration from certain practices of looking developed by choreographer and video artist Lisa Nelson. We have a dance of hands that see, of eyes that touch, and of bodies that erase themselves. Three bodies without sight that voice words, forming a kind of triangle whose vertices draw closer and drift apart, establishing relationships, equilateral, isosceles, or scalene, between us, organizing palpable and subjective distances between what is named and what is already beginning to dissolve.

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